Inside this Issue
JOMR Vol. 5, No. 2
Fall 2021
Discussions
“Racial Countermemory: Tourism, Spatial Design, and Hegemonic Remembering,” by April O’Brien and James Chase Sanchez
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“A Feeling for the Algorithms: A Feminist Heuristic for Researching with Algorithms,” by Patricia Fancher
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“Utilizing Digital Storytelling in Composing Apocalyptic/Post-apocalyptic Fiction: A Case Study of Rural and Native American College Students,” by Tara Hembrough
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“Constellating Arts-based and Queer Approaches: Transgenre Composing in/as Writing Studies Pedagogy,” by Kristin LaFollette
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“artifact: a comic essay about a revision of a revision assessment rubric for student writing,” by Karah Parks
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“Writing as Designing: Integrating Infographics in Composition,” by Eric Cody Smothers
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“Musical Listening: Addressing the Rhetoric of Music in Sonic and Multimodal Composition,” by Michael David Measel
Demonstrations
“Slow Looking: Sitting with the Black Lives Matter Murals of Downtown Raleigh,” by Kelsey Virginia Dufresne
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“Between Intervals: A Soundscape for all Us Monsters,” by Robert Lestón
Distributions
“American Indian and Indigenous Rhetorics: A Digital Annotated Bibliography,” by Kimberly G. Wieser, Antoinette Bridgers-Smith, Derek Bartholomew, Davina Caddell, Brian Daffron, Taylor Ellis, Matt Kliewer, Haeyoung Lee, Elisabeth Murphy, Allison Nepomnick, Jessica Nichols-Ruedy, Brenna O'Hara, Kelli Pyron-Alvarez, Tatiana Rosillo, Stephanie Salyer, Kristen Wheaton, Aaron Whitestar, Jacob Witt, and Jordan P. Woodward
Reviews
Rev. of Ersula J. Ore’s Lynching: Violence, Rhetoric, and American Identity, by Beau Pihlaja
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“The Chair and the Myth of the Anti-Racist Superhero”: Rev. of The Chair, by Vani Kannan
Download the entire issue here.
This issue was arranged, edited, and published within the traditional territories of the Akokisa and Karankawa peoples.